Lola Arias’ Futureland puts the issue of unaccompanied child refugees in Europe on stage, asking difficult questions about these children’s future and how they themselves envision their lives.
In Three Sisters, Susanne Kennedy uses Chekhov's classic work to explore the concept of time through the Nietzschean idea of repetition, on the one hand, and the tension between our desire for control and need for freedom, on the other.
In Death Positive—States of emergency, Yael Ronen and her company embark on a journey on which they explore the unsettled and uncertain elements of the crisis brought into being by the pandemic. As well as being suddenly and collectively confronted with illness and death, we have had to deal with political and emotional emergencies running the gamut from terror to anger.