Shows

Julia

Christiane Jatahy | Brazil

Start Date: 07-07-2022 - 20:15 (19:15 CET)
End Date: 07-07-2022 - 21:30 (20:30 CET)Start Date: 08-07-2022 - 20:15 (19:15 CET)
End Date: 08-07-2022 - 21:30 (20:30 CET)

Theatre of the Society for Macedonian Studies
7 and 8 July, 20:15

Julia
by Christiane Jatahy
based on Miss Julie by August Strindberg

With the staging of Julia, Jatahy’s work includes the possibility of creating contemporary scenic dramaturgy by drawing on classic texts. In Julia, cinema and theater coexist in full-fledged form and a new film is made on live at each new performance by combining previously filmed footage and scenes captured while the audience is present. Strindberg’s original text remains present but is updated by the glance of the camera and by an adaptation to the present time. This way, a plot created in the nineteenth century provides the ground for dramaturgically discussing social and political issues of today Brazil. In fact, Julia brings together theater and film on stage. In Julia, the theater becomes live cinema and the cinematic structures are exposed.

By using pre‐filmed footage and scenes filmed live, the film is built in the presence of the public on each day of the performance. It creates a permanent friction between theatre and film, between the classic and the contemporary. It reveals different levels of fiction from what can be only perceived with the presence of actors on stage and the detailed framing of cinema. This adaptation brings the conflict of the original play to the here-and-now, to the very day on which the public sees the play and asks themselves who they are and how they relate to Julia and Jean (named Jelson in this adaptation) in today’s Brazil.

Where Strindberg used his 19th Century dramaturgy to magnify the relationship between two human beings so different though so close, Jatahy has used a camera. Presence and permanent testimony break through and build together this contemporary encounter with the gaze of the public.

Duration: 70'
Language: Portuguese
Surtitles: English, Greek

You can watch the discussion with the artistic team HERE.

Julia
by Christiane Jatahy
based on Miss Julie by August Strindberg

Direction and Adaptation: Christiane Jatahy
Stage design: Christiane Jatahy and Marcelo Lipiani
Live camera: Paulo Camacho
Costume design: Angele Frós
Music: Rodrigo Marçal
Lighting design: Renato Machado and David Pacheco
Video technician: Francesca Berselli
Light and sound operator: Leandro Barreto
Photography: David Pacheco
Stage manager: Thiago Katona
Tour manager: Henrique Mariano and Claudia Marques
Realization: Cia Vértice de Teatro
Touring - production: Le CENTQUATRE-PARIS

On stage: Julia Βernart and Rodrigo dos Santos.
On screen: Julia Βernart, Rodrigo dos Santos and Tatiana Tiburcio

Christiane Jatahy is an international associate artiste at CENTQUATRE-PARIS, Schauspielhaus Zürich and Odéon-Théâtre de l’Europe.
This show is on tour with CENTQUATRE ON THE ROAD.

Christiane Jatahy

Born in Rio de Janeiro, Christiane Jatahy is an author, theater director and filmmaker. She graduated in theater and journalism, and she holds a postgraduate in Art and Philosophy.

Since 2003, she has been developing a body of work that explores border zones, between artistic disciplines, between reality and fiction, actor and character, theater and cinema. Some of the first performances are Conjugado and The lack that moves us and Corte Seco (Straight Cut).

In 2010 she launched her first feature film, The lack that moves us, starting from the play with the same name. Despite its radically experimental set up (the film was shot in one continuous session of 13 hours, on a Christmas Eve, in one single location), it gained a wide acclaim, remaining on the billboard of Brazilian movie theaters for over 12 weeks and participating in various international film festivals.

In 2011 she premiered Julia, based on Strindberg’s Miss Julie (rewarded the Shell Award 2012 for Best theatrical direction in Brazil). Deepening Christiane’s research into the tension fields between theater and cinema, Julia has been presented by major theaters and festivals in Europe and the US. After over 300 presentations worldwide, Julia continues touring, and will be presented in various theaters in Europe in 2021 and 22.

In 2012, part of the cultural program of the 2012 Olympics, she created, directed and coordinated In the comfort of your home, a series of interventions, documentary work, performances and video installations by 30 Brazilian artists in the privacy of households in London.

In 2013, she developed the audiovisual and documentary installation project Utopia.doc, her first research into questions of home, exile and refugees. It was presented in Paris, Frankfurt and São Paulo.

In 2014, she premiered What if they went to Moscow? based on Anton Chekhov’s The Three Sisters. Splitting the audience between a cinema and a theater (they switch places at the break), What if... was recognised with the Shell Award, the Questão de Crítica Award and the APTR Award. More than seven years after its creation, What if... continues touring.

In 2015, concluding the memory trilogy (including Julia and What if they went to Moscow?), she created The Walking Forest, loosely based on Shakespeare’s Macbeth, combining live performance with a video installation and live cinema.

In 2016 Christiane Jatahy directed for the first time an opera, staging Beethoven’s Fidelio at the Teatro Municipal in Rio de Janeiro, mixing the live performance with filmic elements and positioning the choir.

In 2017, invited by the Comédie Française, she created La règle du Jeu (The Rule of the Game, based on Jean Renoir’s masterpiece.

In the same year, at the invitation of the Theater der Welt Festival and the Thalia Theater in Hamburg, she premiered the installation/performance Moving People, again focusing on the question of refugees, and an adaptation of Bernard-Marie Koltès' In the Solitude of the Cotton Fields.

In 2018 she was invited as Artista na Cidade (artist of the city) by the city of Lisbon, presenting throughout the year her oeuvre in the main theaters, cinemas and festivals of the city.

In the same year, deepening her research into the question of refugees, she started to develop the diptych Our Odyssey, inspired by Homer's Odyssey. The first part, Ithaca, premiered at the Odéon-Théâtre de l'Europe in Paris, confronting Homer’s epic and the reality of today’s refugees crossing the Mediterranean.

The second part, The Lingering Now, based on Homer’s epic as well as on documentary material filmed in Palestine, Lebanon, South Africa, Greece and the Amazon, is a dialogue between theater and film, mixing Greek fiction with real stories from refugee artists. The Lingering now premiered in 2019 in São Paulo and at the Festival d’Avignon. It continues touring in Europe, Asia and the US.

In July 2021, Christiane premiered Entre chien et loup (“between dog and wolf”) as opening performance of the Avignon Festival. Based on Lars Von Trier’s Dogville, the performance will tour extensively throughout 2021, 2022 and 2023. Entre chien et loup is the first part of a Trilogy of Horror, addressing questions of the mechanisms of fascism (Entre chien et loup); of toxic machismo in Before the sky falls in October 2021 (again based on Macbeth); and of slavery and its consequences for structural racism in After the silence.

Currently, Christiane Jatahy is an associate artist of the Odéon-Théâtre de l'Europe, Centquatre-Paris, Schauspielhaus Zürich, Arts Emerson Boston and Piccolo Teatro de Milano. The company Axis is sponsored by Direction régionale des affaires culturelles d'Île-de-France, Ministère de la Culture France.