The
International Forest Festival of the
National Theatre of Northern Greece returns to Thessaloniki from
31 May to 13 June with an impressive programme of innovative proposals from the international theatre scene
This year, the city will host productions from
England, France, Belgium, Lebanon, South Africa and
Uruguay. The festival programme will be accompanied by a series of parallel activities in the form of workshops and discussions.
In the new era that is taking shape around us, it is imperative that theatre stands up to the dominant discourses and moulds new fields of visibility. It is vital that it focuses on the cracks that are opening up in the hegemonic narratives, creates new ways for and loci where minds can meet, and reinvents new possibilities of coexistence. The artists bring with them the personal experiences with which they attempt to make sense of multiple realities that are finding it hard to coexist in a world of extreme contrasts and marginalized communities.
The artistic committee of the 6th International Forest Festival consists of
Savas Patsalidis (professor emeritus of theatre, Aristotle University of Thessaloniki),
Prodromos Tsinikoris (director, dramaturg, actor) and
Tine Milz (dramaturg, curator and director of the Theater Neumarkt, Zurich). Together, they have drawn up a programme that incorporates dynamic voices and proposals from the international theatre scene. In Milz’s words:
This year's International Forest Festival invites us to focus on the compelling, fragile and transformative power of performance. The world feels like a melodrama of absurdities. Somewhere between horror and wonder, between surrender and resistance, we are swimming — through crises, through the darkness of uncertainty. And yet, in that very in-between, a ground for artistic vision emerges: a place to gather, to exchange, to disagree, to listen. Following the spirit of “Hope in the Dark” [Rebecca Solnit], we embrace the unseen, the unfinished, the yet-to-come—trusting that even amid fracture, seeds of connection and imagination can be sown. In a world vibrating between collapse and reinvention, we turn to artists whose works reach into the deep textures of our time—summoning memory, myth, laughter, grief, and radical tenderness. The festival brings together voices and visions from different continents and artistic languages, proposing performances as shared
landscapes of imagination. This edition of the festival gathers voices that speak into the fractures and dreams of our times—including Tamara Cubas (“Offering for a Monster”), Rebecca Chaillon (“Whitewashing”), “Hatched Ensemble” with Mamela Nyamza, Ali Chahrour (“Told by My Mother”), Tim Etchells (“L'Addition”), El Conde de Torrefiel (“I have no name”), and Jaha Koo (“History of Korean Western Theatre”), among others.
We believe deeply in the urgency of language—in its ability to hold beauty, anger, memory, and transformation. Especially in moments of crisis, we long for language that does not explain the world away but dares to make it more visible, more permeable, more alive.
We dream of a language that does not smooth over complexity but lets contradictions breathe; a language that cracks open spaces for listening, trembling, and beginning again.
At the opening of the Festival, we will welcome
Logan February with their poetic lecture
A Thousand Daemons, which "explores the 'forest' in the tradition of the Yoruba and other West African peoples as a symbolic site of social exile, mythical encounters and transformation; a poetic study of the monstrous and the anarchic as they embrace the material, social and spiritual worlds".
On June 7,
Daniel Blanga Gubbay's poetic reading
Reading the Sky will focus on the shades the sky assumes as day transitions into night. Drawing material from Arab-Jewish family histories and the literature of the fantastic, he presents the sky as a place of memory, eccentricity and silent resistance.
Two workshops will be held over the course of the festival. On June 7,
Tine Milz and
Daniel Blanga Gubbay will run a three-hour writing workshop focused on the point of embarkation: the moment when writing begins without knowing where it will end. On June 8, in a physical theatre workshop, the choreographer
Ali Chahrour will explore the meaning of mourning through a poetic choreography that comforts and brings solace.
For the artistic committee, the 6th
International Forest Festival "becomes a space in which to try out versions of the future, to grapple with questions, to focus on problems, and to celebrate the alternatives that art presents through its fragmented, hesitant, glittering forms".
Detailed information about the event and the final programme of the 6th International Forest Festival will be posted soon on our website, on.ntng.gr.
The platform contains information and material about the performances and the artists featured in the Festival. An interactive calendar allows viewer to explore the various activities the Festival offers day by day, and choose those they find most interesting.
The NTNG Forest Festival is implemented within the framework of the NSRF Programme for Central Macedonia and is co-funded by the European Union
Detailed Programme of the 6th International Forest Festival
31 May – 13 June 2025
Embracing the un-scene
A Thousand Daemons
Logan February
Opening event of the 6th International Forest Festival
Saturday 31 May
Foyer of the Society for Macedonian Studies Theatre Theatre
Time:
20.00
Duration:
25 minutes
Offering for a Monster
Tamara Cubas
Saturday 31 May and Sunday 1 June
Theatre of the Society for Macedonian Studies
Time:
21:00
Duration:
60 minutes
Hatched Ensemble
Mamelas Artistic Movement
Thursday 5 June, Friday 6 June
Theatre of the Society for Macedonian Studies
Time:
21:00
Duration:
70 minutes
Whitewashing
Rebecca Chaillon & Aurore Déon
Thursday 5 June, Friday 6 June
Foyer of the Society for Macedonian Studies Theatre
Time:
21:00
Duration:
75 minutes
Reading the sky
Daniel Blanga Gubbay
Literary reading
Sunday 8 June
Time:
20:30
Duration:
30 minutes
Told by my mother
Ali Chahrour
Theatre of the Society for Macedonian Studies
Sunday 8 June
Time:
21:15
Duration:
70 minutes
I have no name
El Conde de Torrefiel
Public space outside of Vassiliko Theatre
Monday 9 June, Tuesday 10 June, Wednesday 11 June
3 performances per day
Time:
19:30, 20:30, 21.30
Duration:
40 minutes
The History of Korean Western Theatre
by Jaha Koo
Theatre of the Society for Macedonian Studies
Thursday 12 June, Friday 13 June
Time:
21:00
Duration:
60 minutes
L' Addition
by Tim Etchells
Foyer of the Theatre of the Society for Macedonian Studies
Thursday 12 June, Friday 13 June
Time:
21:00
Duration:
70 minutes
Workshop Programme
"
Offering for a monster"
with
Tamara Cubas
22 May - 30 May
For drama students - Registration required
"
Writing with a Blue Pen"
Writing workshop with
Tine Milz and
Daniel Blanga Gubbay
Saturday June 7
Time:
18:00
Duration:
180 minutes
Registration required
“
Dance workshop”
with Ali Chahrour
Sunday 8 June
Time:
10:00
Duration:
120 minutes
Registration required
The workshops and discussions will feature parallel interpretation into sign language.
6th International Forest Festival Team
Amalia Kontogianni (Artistic Planning & Literary Department - Co-funded projects)
Maria Lazaridou (International Relations Office)
Marily Ventouri (Production Organization Office)
Fotini Logothetidou (Production Organization Office - Co-funded projects)
Stella Papadimitriou (Literary Department)
Matina Pagoulatou (Production Organization Office - Educational Programmes)
Reservations / Tickets
Full price: 13 €
Discount Ticket (Over 65s, Group ticket for 10 people, Educators): 10 €
Student - Pupil: 8 €